>> Narrator: IN THIS WORLD,
THERE IS REAL EVIL, IN THE
DARKEST SHADOWS AND IN THE MOST
ORDINARY PLACES.
THESE ARE THE TRUE STORIES OF
THE INNOCENT AND THE
UNIMAGINABLE.
BURIED WITHIN AN OLD ENGLISH PUB
LIES THE DARK SECRET OF A BRUTAL
PAST.
WHEN THE STAFF TRIES TO
COMMUNICATE WITH THE DEAD, THEY
UNLEASH A POWERFUL EVIL THEY
CANNOT CONTROL.
WITH THE HELP OF SPIRITUAL
MEDIUMS, THEY DIG DEEPER TO
SOLVE A CENTURY-OLD MYSTERY,
UNAWARE THEIR OBSESSION FOR
ANSWERS COULD END THEIR LIVES.
BETWEEN THE WORLD WE SEE, AND
THE THINGS WE FEAR, THERE ARE
DOORS.
WHEN THEY ARE OPENED...
NIGHTMARES...
BECOME REALITY.
IN NORTHEASTERN ENGLAND, SMALL
VILLAGES DOT THE LANDSCAPE OF
THE TYNE RIVER VALLEY,
SEPARATING LONG STRETCHES OF
MOORS AND ANCIENT FORESTS.
FOR THOUSANDS OF YEARS, THIS
LAND HAS HIDDEN COUNTLESS DARK
SECRETS, WHILE OTHER HORRORS LIE
NEAR THE SURFACE, JUST WAITING
TO BE DISCOVERED.
FOR NEARLY 200 YEARS, THE
WHEATSHEAF PUB HAS STOOD AS A
LANDMARK IN WEST BOLDON,
ENGLAND.
>> ALL RIGHT, GUYS, TIME TO
LOCK UP.
>> Narrator: IN 2004, DAVID GUY
BOUGHT THE WHEATSHEAF AND HIRED
A NEW STAFF.
>> IT USED TO BE A GREAT PUB.
IT USED TO BE THE BEST PUB IN
BOLDON.
BUT THE PUB WAS BOARDED UP FOR
SEVEN MONTHS.
NOBODY WANTED TO TAKE IT ON.
>> GOOD NIGHT.
NOT BAD.
>> Narrator: SINCE REOPENING,
BUSINESS HAS BEEN GOOD.
BUT DAVID'S STAFF HAS REPORTED
STRANGE ENCOUNTERS IN THE PUB.
KAMYLAH MOMAT IS THE MANAGER.
>> I ALWAYS GOT THE FEELING
THERE WAS SOMEBODY WATCHING US.
I'VE NEVER BEEN AFRAID, EVER,
UNTIL I WORKED IN THE
WHEATSHEAF.
>> LOOK AT THIS.
WHO DID THIS -- PUT A HAND IN MY
JELLY?
I MADE THIS LAST NIGHT FOR THE
VODKA SHOOTERS.
THE FRIDGE DOOR WAS OPEN, TOO.
>> THERE IT IS AGAIN.
>> Narrator: TIM IS A BARTENDER.
HE'S HEARD CUSTOMERS DESCRIBE
PARANORMAL EXPERIENCES.
>> [ HUMMING ]
>> [ CHUCKLES ] HELLO.
[ DOOR OPENS ]
>> Narrator: AT THE
WHEATSHEAF...
[ THUMPING ]
...STRANGE INCIDENTS SEEM TO
OCCUR ON A NIGHTLY BASIS.
[ FOOTSTEPS ]
>> YOU HEAR NOISES ALL THE TIME,
LIKE JUST FOOTSTEPS -- BANG,
BANG, BANG.
[ BANGING ]
>> THERE'S NO ONE HERE BUT US.
>> WE'LL JUST HAVE A LOOK.
[ BANGING ]
ANYBODY UP HERE?
[ DOOR OPENS ]
[ DOORKNOB RATTLES ]
[ DOOR CREAKS ]
ANYBODY IN HERE?
>> Narrator: DAVID FINDS NOTHING
UPSTAIRS.
>> BESIDES, EVEN IF IT IS
HAUNTED HERE, THERE'S NOTHING TO
BE SCARED OF.
>> YOU NEVER KNOW.
>> HEY, NOW THAT YOU MENTION IT,
HOW ABOUT A LITTLE GAME?
COME ON.
>> WHAT IN THE WORLD?
>> YOU'RE JOKING?
>> Narrator: DAVID SHOWS THEM A
OUIJA BOARD HE'S MADE.
>> HAVE A SEAT, MY LOVE.
WE'LL GET TO THE BOTTOM OF THIS
MYSTERY WITH A LITTLE BIT OF
SPIRITUAL DETECTIVE WORK.
HERE.
I WANT TO FIND OUT WHAT'S
KNOCKING AROUND IN MY PUB.
YOU GO FIRST.
>> IT'S NOT JUST ME.
WE ALL HAVE TO PUT OUR HANDS ON
THE GLASS, DON'T WE?
>> ALL RIGHT, THEN.
COME ON.
>> NO ROOM FOR ME.
THAT'S ALL RIGHT, I'LL --
I'LL -- I'LL WATCH.
>> HE'S SCARED.
IS THAT IT, YOU'RE SCARED?
>> SCARED? SCARED OF WHAT?
PAPER AND A COUPLE WHISKEY
GLASSES?
>> NEVER MIND.
SIX FINGERS IS ENOUGH.
NOW, WHAT DO WE ASK?
>> HMM.
>> ASK WHO'S BEEN STOMPING
AROUND UPSTAIRS.
>> ALL RIGHT.
SPIRITS, TELL US.
[ CHUCKLES ]
>> WHO IS WALKING THE HALLS OF
THE OLD WHEATSHEAF PUB?
>> DO IT AGAIN.
>> LOUDER.
>> [ CHUCKLES ]
>> IS THERE A SPIRIT IN THE OLD
WHEATSHEAF PUB?
OH, IT'S MOVING.
>> I SAW YOU MOVE IT.
>> I'M NOT MOVING IT!
"G"...
>> "E"...
"T."
>> GET A PIECE OF PAPER AND A
PEN AND WRITE THIS DOWN.
>> HMM.
>> "GET."
>> All: "O"...
"U"...
"T."
>> "GET OUT"?
[ THUMPING ]
[ FOOTSTEPS ]
ANYBODY UP THERE?
>> THE KITCHEN IS CLOSED.
I CHECKED THE WASHROOMS.
>> WANT ME TO GO CHECK?
>> NO, DON'T TAKE YOUR HANDS OFF
THE GLASS.
"G"...
>> All: "K"...
"I"...
>> "L"...
"L."
>> "Y"...
"O"...
"U."
>> "GET OUT OR I'LL KILL YOU."
>> THAT'S IT. I'M DONE.
I'M GOING HOME.
>> LOOK.
IT'S MOVING BY ITSELF.
>> "H"...
"E"...
>> All: "L"...
>> "P"...
"M"..."E."
"HELP ME"?
>> WHO ARE YOU?
>> IT WAS ACTUALLY SPELLING OUT,
"PLEASE HELP ME."
JUST KEPT SAYING, "HELP ME, HELP
ME, I'M TRAPPED."
>> WHO ARE YOU?
>> IT'S THE GHOST OF THE LITTLE
GIRL -- THE ONE THE CUSTOMER MET
UPSTAIRS -- THE ONE WHO WENT
INTO THE KITCHEN AND PUT HER
HAND IN THE JELLY.
>> HOW DO YOU KNOW?
>> I JUST FEEL IT.
I KNOW.
I'M SURE IT'S HER.
>> Narrator: THE STAFF OF THE
WHEATSHEAF TRIES TO CONTINUE
WITH BUSINESS AS USUAL.
A FEW DAYS LATER, DAVID AGREES
TO HOST A FUND-RAISER.
>> SOMEONE ASKED US TO RAISE
MONEY FOR SOMETHING.
THE GIRLS IN THE PUB ASKED IF WE
COULD HAVE A PSYCHIC NIGHT.
>> £5 WILL GET YOU A
CONSULTATION WITH ONE OF OUR
FABULOUS PSYCHICS.
ALL PROCEEDS GO TO THE
CHILDREN'S CANCER FUND.
>> WHAT'S ALL THIS NOISE ABOUT?
>> Narrator: PUB REGULAR
MARTIN BROWN DOESN'T BELIEVE IN
PSYCHICS.
>> I REMEMBER LAUGHING AND
CARRYING ON WITH MY FRIENDS.
HOW STUPID CAN THEY GET, YOU
KNOW, THAT THIS IS HOW DAFT IT
WAS.
>> Narrator: LANA GRABINSKIS AND
SUZANNE HADWIN ARE TWO SPIRITUAL
MEDIUMS WHO DONATE THEIR
SERVICES TO THE CAUSE.
>> ARE YOU ALL RIGHT?
>> Narrator: SUZANNE SENSES A
POWERFUL NEGATIVE PRESENCE IN
THE PUB.
>> THERE'S SOMETHING NOT RIGHT
IN HERE.
>> AS I FIRST WALKED THROUGH THE
DOORS OF THE WHEATSHEAF, I GOT
AN EMOTION OF ANGER -- ANGER
THAT I'VE NEVER FELT BEFORE IN
MY LIFE.
>> EXCUSE ME, ARE YOU TAKING
READINGS?
>> YES, OF COURSE.
>> WELL, I'D LIKE TO KNOW IF --
IF ALBERT -- HE'S MY SWEETIE...
>> ONCE I STARTED DOING THE
READINGS, I TRIED TO PUT THESE
EMOTIONS IN THE BACK OF MY MIND.
>> ...LIFE-INSURANCE MONEY...
>> I HAD NO JUST CAUSE WHY I WAS
FEELING THIS WAY.
>> Narrator: A FEW HOURS LATER,
SUZANNE REMAINS TROUBLED BY THE
ANGER SHE SENSED WHEN SHE FIRST
ENTERED THE PUB.
>> I JUST COULDN'T BELIEVE WHAT
I WAS SEEING.
YOU COULD SEE RIGHT THROUGH HER.
>> [ GASPS ]
PLEASE! HE'S COMING!
>> I COULD SEE HER FEAR IN HER
EYES.
>> WHO'S COMING?
[ DOOR SLAMS ]
[ SIGHS ]
>> Narrator: SUZANNE SEES A
VISION OF ANOTHER TIME, NEARLY A
CENTURY AGO.
>> I COULD SEE THE CARPET, AND I
COULD SEE THIS LITTLE BED.
>> [ BREATHING HEAVILY ]
PLEASE, MUM.
CAN YOU HELP ME, PLEASE?
>> ARE YOU STILL THERE?
>> THE NEXT MINUTE, SHE WAS
GONE.
I WAS LOOKING THROUGH A MIRROR
AT MY OWN REFLECTION.
>> Narrator: LATER THAT NIGHT,
AFTER THE PUB CLOSES...
>> I HOPE YOU MADE A LOT OF
MONEY FOR THE CHARITY.
DO YOU KNOW YOU'VE GOT A SPIRIT
UPSTAIRS?
>> [ CHUCKLES ]
>> I SAW HER IN THE HALLWAY,
AND -- AND THEN IN THE WASHROOM.
DID YOU KNOW THAT ROOM USED TO
BE A BEDROOM?
>> WHEN SHE TOLD US ABOUT THE
LITTLE GIRL HERE, I MEAN, THAT
WAS SO UNREAL.
I MEAN, IT WAS ONLY US WHO KNEW
ABOUT THAT.
SHE SAYS, "DO YOU MIND US HAVING
A WALK AROUND THE PUB?"
>> YOU'RE WELCOME TO GO EXPLORE
IF YOU WANT.
>> Narrator: INTRIGUED, SUZANNE
DECIDES TO LOOK AGAIN FOR THE
YOUNG GIRL.
[ FOOTSTEPS ]
>> I SAYS...
>> JOSEPH.
>> I KNEW HIM.
DON'T ASK ME WHY I KNEW HIM, BUT
I KNEW HIM.
>> Narrator: SUZANNE IS
BOMBARDED BY IMAGES FROM ANOTHER
TIME.
>> NOBODY IS GOING TO HURT YOU.
>> LEAVE ME ALONE!
>> COME ON.
>> NO, NO, NO, NO!
[ SCREAMS ]
>> AND I COULD SEE HER LITTLE
BODY GOING DOWN TO THE CELLAR,
SQUEALING, SCREAMING.
SHE WAS ONLY A POOR, DEFENSELESS
LITTLE SOUL.
>> [ SCREAMING ]
>> Narrator: A FEW NIGHTS LATER,
AFTER CLOSING...
SUZANNE AND LANA RETURN, HOPING
TO RESCUE THE SOUL OF THE YOUNG
GIRL, WHICH SUZANNE BELIEVES IS
CONTROLLED BY THE SPIRIT OF A
MAN NAMED JOSEPH.
THEY BEGIN BY CLEANSING THE PUB
TO PROTECT THE GROUP FROM
DANGEROUS SPIRITS.
>> YOU'RE NEUTRALIZING THE
ENERGIES THAT ARE WITHIN THE
ROOM.
YOU CLEANSE A HEAVY ATMOSPHERE.
>> Narrator: SUZANNE MUST AGAIN
LOCATE THE SPIRIT OF THE YOUNG
GIRL TO HELP HER MOVE ON.
>> BECAUSE HE WOULD NOT HAVE LET
ME MAKE THAT CONNECTION TO THE
LITTLE GIRL.
>> Narrator: SUZANNE BELIEVES
THAT JOSEPH'S SPIRIT IS
CONCENTRATED IN THE BASEMENT.
SHE HOPES THE STAFF'S PRESENCE
WILL DISTRACT HIM AND KEEP HIM
THERE.
SUZANNE USES SALT TO CREATE A
CIRCLE OF PROTECTION.
SINCE ANCIENT TIMES, VARIOUS
CULTURES HAVE BELIEVED THAT
CIRCLES MARK THE BOUNDARY OF A
SACRED AREA, KEEPING UNWANTED
ENERGIES OUT.
>> WHAT MAKES YOU THINK THIS
JOSEPH IS HERE?
>> DO YOU THINK HE'S HERE RIGHT
NOW?
>> YES...HE'S HERE.
AND YOUR JOB IS TO KEEP HIM
HERE.
REMEMBER, STAY INSIDE THE
CIRCLE, AND DON'T COME UPSTAIRS
UNTIL I CALL YOU.
>> THIS IS INSANE.
THIS IS TOTALLY INSANE.
>> THIS IS YOUR IDEA.
>> MY IDEA?!
>> YOU STARTED WITH THE OUIJA
BOARD.
>> IT WAS JUST A BLASTED GAME!
>> "ST. MICHAEL THE ARCHANGEL,
DEFEND US IN BATTLE.
BE OUR PROTECTION AGAINST THE
WICKEDNESS AND SNARES OF THE
DEVIL.
MAY GOD REBUKE HIM, WE HUMBLY
PRAY."
>> Narrator: SUZANNE AND LANA
BEGIN TO LOOK FOR THE SPIRIT OF
THE YOUNG GIRL.
SUZANNE STARTS IN THE ROOM THAT
WAS ONCE THE YOUNG GIRL'S
BEDROOM.
>> I ALWAYS USE AN AUDIOTAPE TO
CAPTURE SOUNDS, TO CAPTURE ANY
ENERGIES IN THE ROOM.
>> I THINK SHE'S IN HERE.
>> Narrator: SUZANNE HOPES A
DOLL WILL ATTRACT THE YOUNG
GIRL.
>> WE MEAN YOU NO HARM.
>> Narrator: LANA IS A PSYCHIC
ARTIST.
WHEN SHE MAKES CONTACT WITH A
SPIRIT, SHE IS ABLE TO CREATE AN
IMAGE OF IT.
>> AS A PSYCHIC ARTIST, YOU PICK
UP ON THEIR FEELINGS AND
EXPERIENCES THAT THEY'VE GONE
THROUGH.
>> [ HUMMING ]
>> JESSICA.
>> I KNEW IN MY MIND THAT THIS
WAS HER NAME.
>> WHAT A LOVELY NAME.
WHAT ARE YOU FRIGHTENED OF?
WHAT HAPPENED TO YOU?
[ BANGING ]
>> YOU KNEW HE WAS AROUND YOU.
YOU DIDN'T HAVE TO ASK YOURSELF
THAT QUESTION.
YOU KNEW HE WAS AROUND YOU.
>> THAT'S JOSEPH.
>> [ SCREAMS ]
>> I GOT A VISION OF SOMEBODY
PUTTING HER AGAINST THE FLOOR,
AND SHE WAS TERRIFIED.
I WAS CRYING.
I WAS PLEADING THEM TO STOP IT.
AND THEY WOULDN'T.
THEY WOULDN'T STOP.
>> [ BREATHING HEAVILY ]
>> Narrator: SUZANNE IS NOW
CERTAIN THAT JOSEPH KILLED
JESSICA.
>> WHY WAS SHE CONDEMNED TO
DEATH?
WHY DID THEY DO IT TO HER?
>> JESSICA...
WHERE IS YOUR BODY?
>> I'M STILL HERE.
>> I COULDN'T BELIEVE WHAT I WAS
SEEING.
MY HEART WAS ACHING FOR HER.
I RAN MY FINGERS DOWN THE WALL,
AND I SAID, "SHE'S IN THE WALL."
"SHE'S IN THE WALL."
>> HOW LONG DOES SHE EXPECT US
TO STAY DOWN HERE?
>> THERE'S NOTHI--
[ GASPS ]
>> WHAT?
KAM, YOU'RE OUTSIDE THE CIRCLE.
>> IT'S LIKE I FELT SOMETHING
TOUCH MY FACE.
>> GET BACK IN THE CIRCLE.
KAM!
HOLD HER DOWN.
HOLD HER DOWN!
>> I COULDN'T CONTROL ME LEGS.
I COULDN'T LIFT ME HEAD UP.
THE PAIN IN ME HEAD WAS
HORRENDOUS.
>> ARE YOU ALL RIGHT?
>> [ SCREAMING ]
>> KAM!
>> ARE YOU ALL RIGHT?
>> NO.
>> SHE WAS ATTACKED.
>> FOR GOD SAKES, MAN.
WE DON'T KNOW WHAT HAPPENED.
>> SOMETHING TOUCHED ME.
TOUCHED MY FACE.
>> YOU'LL BE ALL RIGHT.
I KNOW IT'S FRIGHTENING.
>> I COULDN'T BREATHE.
I-I FELT LIKE I WAS SUFFOCATING.
>> Narrator: SUZANNE BELIEVES
THAT KAMYLAH HAS BEEN ATTACKED
BY JOSEPH.
>> WHAT? WHAT IS IT?
>> LANA, WOULD YOU GET THE TAPE
RECORDER AND LEAVE ME YOUR
DRAWINGS?
>> OF COURSE.
>> OKAY, TAKE THAT.
>> WE'VE MADE CONTACT.
HER NAME IS JESSICA.
SHE WAS MURDERED HERE.
THEY HID HER BODY IN THE WALL
UPSTAIRS.
>> SHE'S JUST A GIRL.
>> WHAT COULD SHE POSSIBLY HAVE
DONE?
>> I THINK YOU BETTER LISTEN TO
THIS.
>> WHAT IS THAT?
>> JUST LISTEN.
>> I'M COMING FOR YOU, SUZANNE.
I'M GOING TO KILL YOU, SUZANNE.
>> I FELT TERRIFIED --
ABSOLUTELY TERRIFIED.
>> THE GIRL IS MINE.
SHE WILL DIE.
>> BUT I KNEW I HAD TO STAND MY
GROUND, AND I HAD TO SHOW HIM NO
FEAR.
>> WE'VE GOT NO CHOICE.
WE'RE GOING TO HELP THE GIRL.
>> BUT WHAT ABOUT WHAT HE SAID
HE WOULD DO?
>> NO, WE HAVE TO HELP HER.
SHE'S TRAPPED IN THE SPIRIT
WORLD.
WE MUST HELP HER.
>> WATCH MY HAND!
>> Narrator: THAT NIGHT, DAVID
RELUCTANTLY AGREES TO LET HIS
STAFF SEARCH FOR THE REMAINS OF
THE YOUNG GIRL.
>> LOOK.
THERE'S A BRICK WALL IN THERE.
>> WELL, WHAT DO YOU EXPECT?
THIS BLASTED BUILDING MUST BE
SEVERAL HUNDRED YEARS OLD.
MY PUB BETTER BE STANDING HERE
WHEN I GET BACK IN THE MORNING.
JUST TAKE IT EASY, ALL RIGHT?
>> LOOK AT THIS.
IT'S A FIREPLACE.
>> THIS IS IT.
>> SHE'S IN THERE.
LET'S KEEP DIGGING.
>> Narrator: THEY WORK THROUGH
THE NIGHT.
>> I CAN'T SEE ANYTHING.
>> WHAT THE HELL HAVE YOU DONE?
>> I WASN'T HAPPY AT ALL.
THE PLACE WAS A MESS, A TOTAL
MESS.
>> IT'S HERE.
IT'S WHAT I SAW IN MY VISION.
>> WHAT'S THIS?
>> ALL OF A SUDDEN, SOMEBODY
JUST REACHED IN AND PULLED OUT A
PIECE OF CONCRETE WHICH
CONTAINED SOME STRANDS OF HAIR.
>> LOOKS LIKE A PIECE OF BONE.
>> WHEN I HELD THE REMAINS OF
JESSICA IN MY HAND...
I FELT LIKE A WEIGHT HAD BEEN
LIFTED.
>> I KNEW SHE WAS THERE.
WE'RE ALMOST THERE.
>> PLEASE LET ME GO!
>> IT'S HER.
IT'S JESSICA.
>> THERE'S NO ONE HERE.
>> DID YOU SEE THAT?
>> WHAT?
>> I-IT WAS LIKE A SHADOW, ONLY
IT WASN'T.
>> ARE YOU ALL RIGHT?
>> HE'S HERE, SITTING AT THE
TABLE.
>> Narrator: WITH HER SECOND
SIGHT...
SUZANNE SEES WHAT OTHERS CANNOT.
>> [ GIGGLING ]
>> WHAT DID YOU DO TO HER?
WHY DID YOU KILL HER?
WHAT DID YOU DO TO HER?
TELL ME, WHY DID YOU KILL HER?
>> SHE GOT IN MY WAY!
AND IF YOU GET IN MY WAY...
YOU'LL DIE, TOO.
>> WE DON'T HAVE MUCH TIME.
HE'S GROWING STRONGER.
>> WHAT THE HELL HAVE YOU DONE?
>> Narrator: AT A LOCAL LIBRARY,
SUZANNE AND A WHEATSHEAF
BARTENDER LOOK FOR CLUES TO
JOSEPH'S IDENTITY.
>> I HAD TO FIND OUT WHERE
JOSEPH'S FROM...
TIMES AND DATES THAT LINKED HIM
TO THIS PUB...
FIND OUT WHAT HAPPENED.
>> HEY, THERE'S THE PUB.
>> Narrator: IN A BOOK ABOUT
BOLDON'S HISTORY, SHE DISCOVERS
A PHOTOGRAPH OF A MAN WHO LOOKS
LIKE JOSEPH.
>> THAT'S HIM!
>> OH, WOW.
SEE IF THERE'S MORE.
IS THERE MORE?
>> Narrator: AND IN A PHOTO OF A
SUNDAY SCHOOL CLASS, SUZANNE
FINDS A YOUNG GIRL SHE BELIEVES
IS JESSICA.
>> THAT'S JESSICA?
>> THAT'S JESSICA.
>> I FELT SUCCESSFUL THAT I CAME
UP WITH ALL THE EVIDENCE THAT
WAS THERE.
>> Narrator: THE PUB IS PEACEFUL
FOR SEVERAL DAYS.
EVEN REGULAR CUSTOMERS LIKE
MARTIN ARE UNAWARE THE PLACE IS
HAUNTED.
>> I'VE NEVER HEARD ANYTHING
ABOUT THE BAR BEING HAUNTED.
IT'S A BIT OFF THE WALL, TO SAY
THE LEAST.
[ GLASS SHATTERS ]
>> ARE YOU OKAY?
YOU ALL RIGHT?
>> YEAH.
JUST A BIT JUMPY, I GUESS.
>> WHERE'S BRIAN TONIGHT?
>> HELLO.
DO YOU SEE THAT?
I SAW IT MOVE, AND THEN IT JUST
FLEW OFF THE BLOODY WALL!
>> THAT COULD HAVE KILLED YOU.
>> IT COULD HAVE CRUSHED YOUR
SKULL.
>> THINGS WEREN'T GETTING ANY
BETTER.
WE KNEW THERE WAS GOING TO BE
SOME SORT OF SHOWDOWN.
>> Narrator: A FEW HOURS LATER,
AT A HOUSE IN A NEARBY TOWN...
>> I'D HAD A VISION, AND I SAW
HIM -- DAVID -- BEING PUSHED
DOWN THE STAIRS.
[ DIALING ]
[ TELEPHONE RINGING ]
>> HELLO?
>> DAVID, IS THAT YOU?
>> YES. WHO IS THIS?
>> OH, THANK GOD.
THIS IS LANA.
I WAS SO WORRIED ABOUT YOU.
I JUST HAD A PREMONITION.
>> DO YOU KNOW WHAT TIME IT IS?
ISN'T IT LATE FOR PREMONITIONS?
>> LISTEN, DAVID, I'M NOT
JOKING.
>> SHE ASKED US ABOUT ME HOUSE.
SHE SAYS, "DAVID, I'VE HAD A
VISION THAT YOU'RE GOING TO HAVE
A NASTY ACCIDENT ON YOUR STAIRS.
AND IT'S GOING TO BE JOSEPH
THAT'S GOING TO PUSH YOU."
AND, I MEAN, LANA HAS NEVER BEEN
AT MY HOUSE.
>> I SEE.
WELL...
THANKS FOR THE WARNING.
>> HE WAS CONSTANTLY THREATENING
US.
OBVIOUSLY, I WAS A BIT WORRIED
ABOUT IT.
>> ENERGIES WERE BUILDING UP,
AND THINGS WERE GETTING WORSE
FOR VARIOUS PEOPLE WORKING
WITHIN THE PUB, AND WE DECIDED
THAT WE'VE GOT TO SORT OF PUT
THIS TO REST.
[ INDISTINCT CONVERSATIONS ]
>> Narrator: ONE NIGHT,
MARTIN BROWN WANDERS UPSTAIRS.
>> All: HI, MARTIN.
>> ALL RIGHT, MARTIN.
COME ON, NOW.
>> IF YOU WANT TO FIND HER...
LOOK FOR THE GREEN PAINT.
>> FIND HER?
HOW DO YOU KNOW?
>> THE LITTLE GIRL --
SHE'S BURIED...
BEHIND THE GREEN BRICKS.
>> I WENT COLD.
I JUST FROZE.
>> THE GIRL IS MINE!
>> Narrator: LANA MAKES A CIRCLE
OF SALT AROUND MARTIN TO PROTECT
THE STAFF.
>> I STILL DON'T UNDERSTAND WHY
YOU'RE DOING ALL THIS.
>> JOSEPH IS INSIDE YOU.
>> WHO?
>> Narrator: SUZANNE WILL
ATTEMPT TO DRAW JOSEPH OUT OF
MARTIN.
>> JOSEPH, I KNOW YOU'RE IN
THERE.
>> WHEN I ADDRESSED MARTIN AS
"JOSEPH"...
HE JUST LOOKED AND GLARED AT ME.
>> I WAS TERRIFIED.
HE JUST LOOKED SO EVIL.
>> ...THE ARCHANGEL, DEFEND
US...
>> YOUR PATHETIC RITUALS WILL
HAVE NO EFFECT.
>> All: ...WE HUMBLY PRAY, BY
THE POWER OF GOD, THRUST INTO
HELL SATAN AND ALL EVIL SPIRITS
WHO WANDER THROUGH THIS WORLD
FOR THE RUINS OF SOULS.
AMEN.
>> YOU WILL LEAVE HIS BODY, AND
YOU WILL GO WHERE GOD COMMANDS
YOU!
>> YOU FILTHY WENCH!
>> THEN I GOT THE VISIONS...
OF THIS WOMAN BEING SLAUGHTERED.
SO IT ALL MADE SENSE.
I KNEW SHE HAD SEEN SOMETHING,
AND THAT'S WHY IT COST HER...
HER LITTLE LIFE.
>> Narrator: SUZANNE BELIEVES
SHE HAS GUARDIAN ANGELS OR
SPIRIT GUIDES THAT PROTECT AND
ADVISE HER.
SHE WILL NEED THEM TO DRAW
JOSEPH FROM MARTIN'S BODY, AS
WELL AS A PENDULUM OR DOWSER.
>> All: ST. MICHAEL, THE
ARCHANGEL, DEFEND US IN BATTLE.
MAY GOD REBUKE HIM, WE HUMBLY
PRAY.
AND DO THOU...
>> I ASKED MY GUIDES TO PULL HIS
ENERGY AWAY FROM MARTIN AND PUSH
IT RIGHT THROUGH MY BODY INTO
THIS CRYSTAL.
>> JOSEPH, I DRAW YOU INTO THIS
DOWSER.
>> NO!
I WON'T GO!
NO!
>> LEAVE!
I COMMAND YOU TO LEAVE NOW!
>> NO!
>> Narrator: THE PENDULUM MOVES
FASTER.
SUZANNE STEADILY DRAWS JOSEPH'S
ENERGY INTO ITS CENTER.
>> THE CRYSTAL STARTED TO SPIN
AND SPIN AND SPIN AND SPIN, AND
I COULD FEEL THE ENERGIES
DRAWING CLOSER TOWARDS THE
CRYSTAL.
>> OUR FATHER, WHO ART IN
HEAVEN, HALLOWED BE THY NAME.
THY KINGDOM COME.
THY WILL BE DONE.
GIVE US THIS DAY OUR DAILY
BREAD, AND FORGIVE US OUR
TRESPASSES AS WE FORGIVE THOSE
WHO TRESPASS AGAINST US.
LEAD US NOT INTO TEMPTATION, BUT
DELIVER US FROM EVIL!
AMEN!
>> AAH!
AAH!
>> SHE SAID, "ARE YOU ALL
RIGHT?"
>> I SAYS I WAS FINE.
>> IS HE GONE?
DID IT WORK?
>> I KNOW NOTHING, ABSOLUTELY
NOTHING OF WHAT WENT ON.
>> IT WAS LIKE YOU WERE
POSSESSED.
WERE YOU SCARED?
>> THE LAST THING I REMEMBER IS
GOING UPSTAIRS, GOING INTO THAT
ROOM AND SEEING THE FIREPLACE.
AND THEN NOTHING.
>> Narrator: MARTIN RETAINS A
MYSTERIOUS AWARENESS OF THE
SPIRIT THAT POSSESSED HIM.
>> HIS NAME WAS JOSEPH.
HE WAS A BARMAN.
HE HAD PREYED ON INNOCENT
FAMILIES.
HE ACTUALLY MADE MONEY OUT OF
PROSTITUTION.
HOW I KNOW THESE THINGS, I DO
NOT KNOW.
IT'S LEFT US WITH QUITE A --
MEMORIES WHICH AREN'T MINE.
>> Narrator: NOW THAT JOSEPH IS
GONE, SUZANNE BELIEVES JESSICA'S
SPIRIT HAS FINALLY FOUND PEACE.
[ INDISTINCT CONVERSATIONS ]
>> A STRONG DRINK -- FILL IT UP.
>> IT WAS REALLY STRANGE, BUT IT
WAS A LOT LIGHTER THAN WHAT IT
HAD BEEN.
>> YOU KNOW WHAT?
YOU'RE NOT GONNA HAVE WHISKEY.
>> PEOPLE WERE STARTING TO LAUGH
AND JOKE AGAIN.
>> I'VE BEEN COMMUNICATING
WITH SPIRITS SINCE FAR BACK AS I
CAN REMEMBER.
I'VE NEVER EXPERIENCED ANYTHING
LIKE IT IN MY LIFE.
HE COULD HAVE TOOK MY LIFE
EASILY, THE CLICK OF HIS
FINGERS.
>> AND I REALLY ADMIRE SUZANNE
AND LANA FOR THEIR DEDICATION.
I FIND IT REMARKABLE THAT THEY,
YOU KNOW, FACE AN ISSUE THAT NOT
MANY OF US UNDERSTAND, YOU KNOW?
>> THANK YOU SO MUCH FOR ALL THE
WORK YOU'VE DONE.
>> BELIEVE WHAT YOU WANT.
END OF THE DAY, YOU'VE GOT TO
EITHER BELIEVE OR YOU DON'T.
>> IT MAKES US THINK, "WELL,
THERE'S MORE."
BECAUSE AT ONE TIME, I USED TO
THINK, "IS THERE?"
BUT NOW I KNOW...
>> AAH!
>> ...THERE IS.
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